The loss of
innocence and the entrance into the harsh truth around you is a common theme in
some Gothic Romantic works. In William
Blake’s “Songs of Innocence and Experience” we get polar different views on the
city of London. In one, Blake gives us a
picture of a green area, likely a park, where there are children playing and
laughing and enjoying the day. In this
poem, “The Ecchoing Green”, the scene is given to us from one of the children
playing, and the atmosphere of it is overall very light and happy. The poem opens with the lines “The Sun does
arise,/ And make happy the skies” which sets the tone for something that is
very upbeat and happy. The poem itself
is about children playing on “the ecchoing green” with older people sitting
under a tree reminiscing happily about when they were children. The scene is quite happy and peaceful, and
the use of rhyming couplets throughout adds a childlike quality to the whole
thing.
This is
heavily contrasted by another of Blake’s poems titled “London”. This poem takes a much darker look at
London. The speaker here is much more
experienced and is saddened by the state of affairs in the city. He describes everyone he passes as having “Marks
of weakness, marks of woe.” It seems as
though the entire city here is crying out in sadness and agony. In this collection of poems, a more innocent
poem is generally connected to another poem that is fits a more experienced or
depressing tone. So we can compare “London”
and “The Ecchoing Green” in terms of speaker and the type of message being
portrayed about the city. The speaker in
“London” is much more jaded about the world around him and recognizes that
everything isn’t a nice sunny day where you can play outside. However, all that is seen is the dark and
upsetting side of London and thus the poet in this case has lost all his
innocence.
This loss
of innocence theme can be seen in other works as well. In Matthew Lewis’s The Monk, the fall from grace and innocence is quite
important. One of the main characters,
Ambrosio, is a monk who has lived all his life away from the perils of the
world. Therefore, he is looked upon as a
pillar of holiness and piety. While seemingly
untouched by the “corruption” of sexuality, Ambrosio is still not a great a
pillar as people think he is because of his incredibly vanity in holding
himself above those around him. But he
truly is innocent when it comes to his sexuality as he is completely
inexperienced and cannot properly cope with the situations he is faced with in
the novel. Another character in the
novel, Antonia, is also quite sheltered and innocent and because of it cannot
see bad in the people around her, which ends up being her downfall. The loss of innocence in this book is quite
drastic and painful, and proves to be detrimental to all those who go through
it.
Another
novel that covers the loss of innocence is A
Sicilian Romance. In this novel, the
loss of innocence isn’t as painful an experience as in The Monk, but it still focuses around innocence being lost through
sexuality. Here the main character,
Julia, has been kept inside her father’s castle away from the rest of the
world, and she develops into a beautiful and intelligent woman. However, she has had little contact with
those outside the castle, and eventually sees and falls in love with a man at a
party that her father throws. She
changes from an innocent, unknowledgeable girl to one who is star struck in
love and comes to discover quite a lot about her family throughout the
novel. As innocence is quite important
to the Romantics, especially in in Gothic tradition, it is good to recognize
its use when implemented. It can provide
us with an insight into powerful character changes and sometimes provides a
dialogue on the human experience.
I think you are right to connect the loss of innocence that is presented in the poems to other narratives we have read in the class. This seems to be a major theme throughout the Gothic tradition. Another example that I can think of is Mary Shelley’s Frankenstein. It seems that in this story, the loss of innocence comes from the pursuit of knowledge that Dr. Frankenstein and the monster undertake. Dr. Frankenstein gains knowledge and experience with the science, which then allows him to create the monster, giving life to the supernatural being that will ultimately lead to his own downward spiral as he protects his own reputation over the lives of his friends and family. The monster starts out as innocent. He at first attempts to learn about the world and how to survive, doing only what is necessary and hoping only for companionship. He even attempts to make up for taking food from the De Laceys. However, as he learns the language and then realizes that he can never be accepted as part of society, his knowledge leads him to murderous intentions, an obvious loss of innocence. This entire concept of the gaining of knowledge (and experience) leading to a loss of innocence and a more terrible fate is mirrored in Paradise Lost, which the monster reads.
ReplyDeleteAll of these instances—the “Songs of Innocence and Experience,” The Monk, A Sicilian Romance, Frankenstein—seem to question whether knowledge and experience is good. It makes me wonder if all of these narratives refer to the same idea because it is actually a prevalent issue in society or if many of them are purposely drawing on the story of Adam and Eve. In addition, it almost seems to point towards the inevitability of the loss of innocence because even a supernatural creature who does not originally understand anything about the world and who isn’t accepted into society eventually gains enough knowledge to lead him down a destructive path. If someone separated that much from society loses innocence from knowledge obtained through society, is everyone doomed to lose their innocence in some way and venture down a negative path?