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The two major supernatural scenes in Volume II of Matthew
Lewis’s The Monk provide more
than horror movie type entertainment. Indeed, after comparing the Wandering Jew’s
exorcism of the bloody nun to Matilda’s summoning of Lucifer, it seems that
these two scenes work together to teach readers the importance of morality and
spirituality.
First, it is important to note the similarities between
these two scenes. Both scenes occur as a result of evil or sinful intentions. Ambrosio
requires the assistance of the devil in satisfying his illicit lust for
Antonia, and Don Raymond is haunted by the murderous bloody nun after
kidnapping Agnes’ “babysitter” and attempting to help his lover escape from her
family’s plans for her future. This in itself seems to suggest to the reader
that if we engage in immoral actions we risk suffering as a result of evil /
the supernatural.
Another interesting similarity is that neither of the purely
human characters involved in these scenes were able to face the spirits without
feeling faint or having to be assisted by their supernatural friends. Don Raymond
says that at the sight of the cross burning on the wandering Jew’s forehead, “my
senses left me for some moments; a mysterious dread overcame my courage, and
had not the Exorciser caught my hand, I should have fallen out of the Circle”
(Lewis 172). Ambrosio grows increasingly fearful with the approach of Lucifer
and “a cold shivering seized his body, and He sank upon one knee, unable to
support himself” (276). This seems to suggest that there are things in the
world which we as humans cannot comprehend or deal with on our own. In fact,
Don Raymond fares much better during his encounter with the supernatural
because he, through the devout Exorcist, is supported by God. Aside from his
glimpse of the burning cross, he is not afraid. He says “I was not seized with
the accustomed shivering. I waited [the ghost’s] approach with confidence”
(Lewis 171). Ambrosio’s only comfort is the thought that he will be able to acquire
Antonia, which explains why he is terrified throughout the entire process
(although the dark cavern and crazy Matilda are completely valid reasons to be
terrified).
So, if these situations are similar, why does Don Raymond
end up happier whereas Ambrosio sinks in to sinful ruin and what does this say
to the reader?
It is interesting to note that Don Raymond’s story is told
in first person, whereas Ambrosio’s is told in third person POV. This seems to
put the reader in Don Raymond’s place (which improves in morality and happiness)
while distancing him or her from the corrupted Ambrosio. This first person
narrative increases the extent to which the reader can identify with Don
Raymond.
Don Raymond, a figure unassociated with the Catholic Church,
is far more pure than the corrupted monk who succumbs (rather easily) to temptation,
rape, and dealings with the devil. With the assistance of the devout Jew (and
his moment of intense personal spiritual connection before the Exorcism), Don
Raymond is able to get rid of the evil supernatural influence of the bloody nun.
This suggests that even though Lewis is rejecting the legitimacy of the Church
through the moral downfall of Ambrosio, he is supporting the idea of morality
and a personal spiritual connection with God. In putting the reader more
directly in Don Raymond’s place, it’s as if Lewis wanted the reader to feel
firsthand the benefits of such a spiritual connection and not reject it despite
what he sees as problems with the
Church.
I think you are right about the idea of parallels pointing to differences, with Raymond being on the side of the angels. Interestingly, the Wandering Jew represents the idea of perpetual penance, since he is being punished for ridiculing Jesus when Jesus was on the way to Calvary. It's a folk legend and not a nice reflection on either Jews or Jesus, since it has Jesus condemning the Jew to wander till the Second Coming--done at the time of Jesus' Passion. The Wandering Jew, then is a sinner who is doing penance and helping someone else expiate the sins of a relative. One more point for spirituality and morality.
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